Nick Jones: The Aesthetics of 3D Cinema

Cinema is undoubtedly one of the most significant cultural forms of our age. The first moving pictures were revolutionary when they were first broadcast to the world and the cinematic medium continues to develop in all sorts of radical and interesting ways. Television soon came to rival cinema in social and cultural import and film studios needed to find new technologies to pull in the crowds. 3-D films began to appear in the 1950s and have retained their popularity since, from their use in amusement park rides to the latest blockbuster 3D re-release. Yet their apparent novelty status belies the hidden history of 3D filmmaking; it could even be said that the history of cinema is arguably the history of 3D cinema.

This week on The Provocateur I’m joined by Nick Jones, lecturer in film, television & digital culture at the University of York, to discuss the aesthetics of 3D cinema. We talk about the history of 3D cinema before we jump into the theoretical and technical complexities of the 3D format. Along the way, we discuss films such as Dial M for MurderAvatar, Jurassic Park (in its 3D re-release) and even the Resident Evil franchise.

You can listen to the podcast here:

Further Reading:

Crary, J. Techniques of the Observer (Cambridge, MA and London: The MIT Press, 1990)

Elsaesser, T. “The ‘Return’ of 3-D: On Some of the Logics and Genealogies of the Image in the Twenty-First Century,” Critical Inquiry 39, no. 2 (2013): 217–246

Jones, N. “Variation within Stability: Digital 3D and Film Style,” Cinema Journal 55, no. 1 (2015): 52–73

Jones, N. “‘There never really is a stereoscopic image’: a closer look at 3-D media,” New Review of Film and Television Studies 13, no. 2 (2015): 170-188

Ross, M. 3D Cinema: Optical Illusions and Tactile Experiences (New York: Palgrave Macmillan, 2015)

Seth Bernstein: Across the Iron Curtain: The Repatriation of Soviet Citizens After WWII

Though World War II looms large in both the North American and European popular imaginations, the complex history of the post-WWII settlement has largely been erased from public memory. Indeed, for millions of people the end of the war was only the beginning of an uncertain future. A refugee crisis was brewing on the Eastern Front, which became a key factor in the birth of modern-day international humanitarian law. Moreover, many of those who had been caught up in the horrors of Nazi control in Eastern Europe now faced the prospect of being sent back across the Iron Curtain. The task of repatriating Soviet citizens grew into an enormous challenge for the Allies in the aftermath of the war.

This week on The Provocateur I am joined by Seth Bernstein, assistant professor of history at the Higher School of Economics (Moscow), to discuss the repatriation of Soviet citizens after WWII. We begin by talking about the Cold War perception of repatriation among Soviet writers, before zooming in on the experience of Soviet people in German-occupied Europe and the refugee crisis that followed the war. We also look at the role of the Allied war dead in the story and how the Soviets allowed them to be removed from Soviet Germany in exchange for the Allies permitting Soviet repatriation missions to enter the Allied side of Germany. Towards the end of the programme, we talk about the legacies of repatriation in the later 20th century up to the present moment and the continuing need to rectify the injustices of the past.

You can listen to the podcast here: 

Further Reading:

Bernstein, S. (2017) ‘Burying the Alliance: Interment, Repatriation and the Politics of the Sacred in Occupied Germany’, Journal of Contemporary History 52(3), pp. 710-730.

Robin Hamon: Paradise Revisited: Ecocriticism and the Eden Narrative

The Biblical story of the Garden of Eden is one of the most central narratives in Western civilisation (if not the central narrative). As part of the account of creation contained in Genesis, it is a cornerstone of both the Jewish and Christian religious traditions. Moreover, it has exerted a powerful influence on secular culture, ranging from the seventeenth-century epic Paradise Lost to modern-day advertisements. Yet scholarly critics have tended to overlook the significance of natural resources and the environment in the Eden narrative, choosing instead to focus on the agency of the human characters. While ecocriticism is gaining ground as a popular approach in contemporary literary studies, Biblical scholars have generally paid little attention to it and how it can be usefully applied to their field.

Today on The Provocateur I talk to Robin Hamon, a PhD student at the Sheffield Institute for Interdisciplinary Bible Studies, to discuss the Eden narrative from an ecocritical perspective. We start by thinking about the origins of Biblical Studies and ecocriticism as separate disciplines, before looking in-depth at Genesis as an example of how the two fields can be fruitfully merged. We also touch on notions of paradise and wilderness and how these might have affected interpretations of the narrative, as well as the significance of trees in the text.

You can listen to the podcast here: 

Further Reading:

Primary text: Genesis 2:4b-3:24 (in the New Revised Standard version).

Secondary reading:

Glotfelty, C. and H. Fromm (eds.) (1996) The Ecocriticism Reader: Landmarks in Literary Ecology. Athens: The University of Georgia Press.

Hamon, R. B. (2018) ‘Garden and “Wilderness”: An Ecocritical Reading of Gen. 2:4b-3:24’, The Bible and Critical Theory, 14.1.

Habel, N. C. and S. Wurst (eds.) (2000) The Earth Story in Genesis (The Earth Bible, vol. 2). Sheffield: Sheffield Academic Press.

Zevit, Z. (2013) What Really Happened in the Garden of Eden? London/New Haven, CT: Yale University Press.

Fiona Malone: Atrial Fibrillation: The Silent Killer

Stroke is the leading cause of disability worldwide as well as a serious public health problem. It is the world’s biggest killer along with its close cousin, ischaemic heart disease: together, they were responsible for 15 million deaths around the globe in 2015. The most common type of stroke, ischaemic stroke, occurs when a blood clot disrupts the flow of oxygen and blood to the brain. One risk factor for ischaemic stroke is atrial fibrillation, which is the most commonly undetected type of irregular heartbeat and affects around a million people in the UK. Atrial fibrillation is scarcely discussed in popular media coverage of stroke and heart disease, but new research is demonstrating its significance in figuring out how and why strokes happen.

Today on The Provocateur I talk to Fiona Malone, a PhD candidate in biomedical engineering at the Galway-Mayo Institute of Technology, to discuss the silent killer that is atrial fibrillation. Join us for a lively discussion that covers the ins and outs of atrial fibrillation, the signs and symptoms of ischaemic strokes, Fiona’s research in building 3-D stroke simulations and what (if anything) cows have to do with strokes.

You can listen to the podcast here:

For more information or to make a donation to help stroke survivors, please visit the Stroke Association website.

Marcello Francioni: Masculinities and Sexuality in Contemporary Urban Japan (LGBT History Month Miniseries 2018)

In this final episode of The Provocateur‘s miniseries for LGBT History Month 2018, we move the spotlight to contemporary Japan, its attitudes to homosexuality and the ways in which sexuality and gender play out in its gay bar industry. Japan has historically had few laws criminalizing homosexual sex, though a ban on anal sodomy was briefly enforced between 1872 and 1880. In the postwar period, as Japan entered its economic miracle, the leisure industry gained greater prominence and with it came the emergence of the first gay bars in the 1950s and 1960s. Just as the Western world experienced the sexual revolution in the latter half of the twentieth century, Japan’s gay bar subculture can also arguably be seen as a marker of liberalizing attitudes to sexuality. At the same time, it combines Western-style norms of consumerism with a distinctly Japanese take on notions of leisure and service.

Today on The Provocateur I talk to Marcello Francioni, a PhD student in the department of anthropology and sociology at SOAS, University of London, to discuss masculinities and sexuality in contemporary urban Japan. We first talk about the norms of the service industry and what ‘service’ means in Japan, before going on to discuss the evolution of Marcello’s research, the history of homosexuality in Japan and the relationship between language and gender in Tokyo’s gay bars.

You can listen to the podcast here: 

Further Reading:

Allison, A. (1994) Nightwork: Sexuality, Pleasure, and Corporate Masculinity in a Tokyo Hostess Club. Chicago: The University of Chicago Press.

Christensen, P. (2014) Japan, Alcoholism, and masculinity: suffering sobriety in Tokyo. Lexington Books.

Graeber, D. (2001) Toward an Anthropological Theory of Value. New York: Palgrave Macmillan.

Hochschild, A. R. (2012) The managed heart. Commercialization of human feeling. University of California Press.

Ishida, H. (2006) ‘Interactive Practices in Shinjuku Ni-Chōme’s Male Homosexual Bars,’ Intersections: Gender, History and Culture in the Asian Context 12: 1–21.

Livia, A. and K. Hall (1997) Queerly Phrased: Language, Gender, and Sexuality. Oxford: Oxford University Press.

Mackintosh, J. D. (2009) Homosexuality and Manliness in Postwar Japan. New York: Routledge.

Maree, C. (2013) Onee-Kotoba. Tokyo: Seidosha.

Pflugfelder, G. M. (1999) Cartographies of Desire: Male-Male Sexuality in Japanese Discourse, 1600-1950. Berkeley: University of California Press.

Robertson, James, and N. Suzuki, eds. (2005) Men and Masculinities in Contemporary Japan: Dislocating the Salaryman Doxa. Routledge.

Singleton, J. (1998) Learning in likely places. Cambridge: Cambridge University Press.

Tim R. Johnston: LGBT Older Adults and Ageing in the United States (LGBT History Month Miniseries 2018)

In this third installment of our miniseries for LGBT History Month 2018 we turn to the issues confronted by LGBT older adults and ageing. At the moment in the United States, there are around 2.7 million LGBT people over the age of 50 and about 1.1 million over the age of 65. These numbers are likely to double by the year 2050 and as developed countries around the world face up to the challenge of an ageing population over the next few decades, the particular problems associated with LGBT ageing will come more sharply into focus.

Today on The Provocateur I talk to Tim R. Johnston, Director of National Projects at SAGE USA, to discuss LGBT older adults and ageing in the United States. We talk about what makes LGBT older populations particularly vulnerable compared with their non-LGBT counterparts, the specific needs of transgender and bisexual older adults and how LGBT family dynamics and support structures differ from non-LGBT ones. We also touch on ageism, racism and disability issues in the LGBT community and how those might impact on ageing. Finally we look to the future and consider how the experience of Millennial LGBT ageing might be distinct from the experiences of the Greatest Generation and Baby Boomers.

You can listen to the podcast here: 

Further Reading:

http://lgbtmap.org/understanding-issues-facing-LGBT-Older-Adults

https://sageusa.org/resources/publications.cfm?ID=324

https://www.sageusa.org/resources/outandvisible.cfmhttps://www.lgbtq-inclusive.com/about-the-book

https://www.lgbtagingcenter.org/resources/resource.cfm?r=487

https://www.palgrave.com/gp/book/9781137594082

Theo Gordon: Sex and Violence in the Art of the American AIDS Crisis (LGBT History Month Miniseries 2018)

In the second episode of our miniseries for LGBT History Month 2018 we turn our attention to the HIV/AIDS pandemic and its artistic legacies. The AIDS outbreak in the 1970s and 1980s is often described as a moment of crisis and since we are arguably living through a moment of crisis in contemporary politics, the AIDS pandemic can be a useful way into thinking about the idea of ‘crisis’ and how art can respond to moments of political crisis. Moreover, if we want to take the idea of LGBT history seriously, we have to acknowledge the significance of HIV/AIDS in this history (although of course LGBT people were not the only ones affected by the disease).

Today on The Provocateur I talk to Theo Gordon, who has just finished his PhD at the Courtauld Institute of Art, to discuss sex and violence in the art of the American AIDS crisis. We begin by the history of the AIDS pandemic and how the crisis is one of sexuality and aggression, before looking at the invisibility of women with AIDS and the significance of AIDS to cultural theory in the early 1990s. Towards the end of the programme we think about the recent upsurge of interest in the AIDS movement since 2010 and the relationship between siblinghood and AIDS activism/politics.

You can listen to the podcast here: 

Further Reading:

ACT UP/NY Women & AIDS Book Group (1990) Women, AIDS & Activism, 2nd edn. Boston: South End Press.

Finklestein, A. (2017) After Silence: A History of AIDS Through Its Images. Oakland: University of California Press.

Schulman, S. and J. Hubbard (n.d.) The ACT UP Oral History Project (online).

White, E. (1997) The Farewell Symphony. London: Chatto & Windus.